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The producers of the blockbuster live-action Transformers movie are putting together plans for a sequel, and they say fan input will weigh heavily on their choices."We want what the fans want," says producer Lorenzo di Bonaventura. "We'll listen and see if we can discern if what makes sense and what kind of movie they would like to see." Vote for the character you would like to see in a Transformers sequel above, then tell us why in the comments box below.
Of course, one Transformer turned into five, then ten, then almost too many to keep track of as each shiny new box revealed a growing checklist that hounded us to 'COLLECT THEM ALL.'So take a moment and walk down nostalgia lane as you view the many Transformers, mint-in-box, that you probably wanted to buy as a child and couldn't. If I was a millionaire, there would have been a bidding war.
And collect them all, we did! This collection includes every single Transformer produced in 1984, 1985, 1986, and all but a handful of pieces from 1987 (according to Hasbro's web site, we missed a set of five Targetmaster Autobots and three Decepticons.) There are even a few pieces from 1988 and 1989 for good measure.
So what happened in 1987 that thwarted our efforts to 'collect them all?' Well it turns out that Anthony never would totally recover from that motorcycle accident. He suffered from the genetic bleeding disorder hemophilia and a test done in August of 1987 showed that he had been infected with HIV by the anti-hemophilia treatment he was given while hospitalized for the accident in 1983.
HIV not only brought our Transformer collecting to an end, it also ended our dream of a family: the kids we thought would play with these toys one day; the toddler I thought would wear the t-shirt that is part of this collection. Anthony and I would not even get to grow old together; he died of AIDS in 1998 at the age of forty.
A sequel to Hollywood blockbuster TRANSFORMERS is in the works, according to director MICHAEL BAY.This is actually the first time news of a sequel has been confirmed from an "official" source, ie Bay. Everything has been mostly in the rumor stage. Almost confirming a sequel but not yet just saying "yep its greenlit." The importance of a greenlit project is that it means that its most likely going to happen and that budget has mostly been nailed down. Until then its all just working out ideas and debating the possibilities.
The movie - which stars Shia LaBeouf and Megan Fox, has already grossed $220 million (£110 million) since its release earlier this month (Jul07) and Bay is desperate to oversee the follow up.
He says, "We want to start working on a sequel right now, so we'll see."
- Editor Glen Scantleberry worked about 10.5 months editing Transformers together with a lot of it being alternate edits together for Bay to choose from and modify.
- Often used pre-visualizations to help edit the movie together since working off of footage that didn't yet include the CGI robots and needed to get timing right so could turn the edit over to ILM for inserting the CGI.
- Animatics where used in the editing but sometimes changes where made based on set or post production ideas (wonder how much included CGI heavy shots though).
- 5 editors and 1 associate editor worked on the film, all of whom worked with Bay in the past.
- The editors where not fans of the Transformers so Bay had to make sure they didn't cut out references.
- To edit, will put together a full length guild, with animatics, temp dialogue, temp music and temp sound effects to get idea of how things may go together. Usually the storyboards are the guide but subject to change based on director decisions during shooting.
- Bay had final-cut on the film so the theatrical version is the "Director's Cut". (It's why hear about "Extended Edition" DVDs instead as its the Director's Cut with cut scenes added back. If hear about a Director's Cut it usually means the studio had final say on how the movie was put together, usually for the worse cause of too many cooks in the kitchen syndrome.)
- "There are about 630 visual effects shots in the film. There are 430 executed at ILM, 91 at Digital Domain, 70 at the Asylum and the rest are 2D clean up and fixes done by CO3, ISolve and Ken Blackwell. Technical advancements were made in environments, lighting, and simulation of physical effects and integration of CG characters in a real environment."
- ILM did the Transformers, Digital Domain on other scenes including the soft-drink robot.
- “Overall, the most challenging shot is OH020 which is a 360 degree descending camera move on Optimus that rotating around to reveal all four Autobots transforming in an alley”, says ILM visual effects supervisor Scott Farrar. “The shot was filmed in two separate camera moves from two separate rigs: a Russian arm mounted to a camera car and a 50-foot Technocrane. The plates were combined and blended. The 768-frame-long shot moves from an overhead medium close up on Optimus finishing his transformation, into an extreme close up of all the moving parts, then widening out to reveal our hero talent. Shia and Megan watch all four robots individually transform with their own unique style.”
- 1.2 million feet of film shot for the movie
MONROE, Wis. — All Transformers fans know that Ironhide is the slowest Autobot, but also the least vulnerable to attack. He transforms into a GMC TopKick 6500 pickup — and now a GM tuner has rolled out a production version.
Monroe Truck Equipment, in association with toymaker Hasbro, says the production version of Ironhide includes custom 20-inch aluminum painted black wheels fitted with monster 40-inch tires. The GMC TopKick normally comes equipped with dual rear wheels.
Other details include two chrome big-rig smokestacks, horizontal stainless steel step tubes, custom front and rear bumpers with textured powder-coat finish, and a 16,000-pound winch mounted on the front bumper.
As Ironhide would say, "High-tech circuitry is no replacement for guts."
What this means to you: Now you can look and feel like Ironhide.
- Career started at age 21 as Art Director on Star Trek: First Contact(source)
- When designing Bumblebee, stuck with the original silhouette of the character but changed the horns for fins to help convey emotion, "like a dogs ears."
- Because Bumblebee didn't have a mouth, was difficult to design so could convey emotion. Used the same artwork, configured for different poses and facial expressions to test how emotion on the character.
- Alot of the transformation design involved working out what pieces could be moved, combined, etc to become the necessary part of the robot design.
- Jaeger spent about 2 years in working on the Transformer designs.
- Trips to auto shows, videos, and photos where used to help gets details correct such as light reflections on the metal surfaces and get texture and the like correct.
- Further modifications done to transformations reduce a busy look, so "We had to get some cohesiveness so they didn’t feel like walking junk piles, so we did a lot of posing the characters to try and tuck pieces in and get a cleaner silhouette, so that even at a quick glance you can tell what he is doing, what direction he is looking"
- Jaeger designed or helped design all the Tranformer heads.
- Starscream's role was small due to the movie's structure with the late introduction of all the Decepticons and desire to tell the film from Sam's point of view.
- Arcee was planned for the film but dropped because of scale. Alt mode would have been a motorcycle and compared to the rest, would have been too tiny. Wreckage apparently was in any of their drafts.
- The writers would "love to be involved" in a sequel but "schedule won't allow that."
- The dog was supposed to be a pit pull but Bay decided a Chihuahua would be funnier.
- Provided a neutral answer on the multiple producer roles, basically saying Spielberg was great and Lorenzo Di Bonaventura provided the time they needed to figure out the script while under studio pressure.
- The writers do wish more time could have been spent developing the various Transformers and 2nd tier(my phrase) human characters.
- Provided an on the spot explanation, not related to any sequel, on how could add Dinobots to a sequel: "you would flashback to protoforms arriving and finding dinosaurs on our planet and trans-scanning dinosaurs and reshaping themselves into dinosaurs."
GVK: How did you get involved with “Transformers”?(source)
MR: I have done 10 years in theater, some have said I have had a varied career, and I look at it as a shotgun blast of creativity. I got a call, it was all very secret and I was not even sure what I was reading for. I was not to learn the lines given to me, simply come in and read them. Since I did not know the project, you have to come in with your take and hope your personality and talent are right for the job. I actually read 5 characters doing the same scene at different times.
GVK: What sort of prep work did you do once you had landed the part?
MR: I did not see the television show when it aired in the U.K. as I was doing a lot of acting at the time so I came into it very fresh. I went online, did research, and talked to friends and fans of the show to get a take on the characters.
GVK: You were the onset voice for the characters during filming, what was that like and was it difficult acting against virtual elements?
MR: It was a lot of fun; I fed lines to Shia who was acting against giant poles with lights on them. Shia is very funny and spontaneous, and is actually very good at what he does as Michael would explain the scenes to us, and we had to imagine that the poles were gigantic robots, and make sure to really allow the characters to come through.
GVK: During the studio process of recording the voices, was Michael Bay present?
MR: He was there every day; often he was the only person there. It was the most fun I had, as during post production, Michael would shoo people from the studio so we could get the lines down. Michael likes to have fun and he has a very cheeky, child like humor to him. He would say a line and then ask me to say it like he just did, only to make it funny.
GVK: Did you see a complete script while filming or did you just have your lines?
MR: The script on set changed a lot. One day I noted some new lines in, and thought that it would change the plot in a dramatic way. Michael was very guarded on the
project as they had a computer hacked and someone got a copy of the script as well as some of the graphics for the film.
GVK: Since you did all the voices on set, how did you end up being Bumblebee?
MR: I got a call saying I was doing the Bumblebee character, and I said I do not believe I have done the lines for that. Since I had recorded many voices and lines in studio, they played me back a recording and sure enough, it was me doing the lines that came to be Bumblebee. When I had read them, they were not assigned as lines to Bumblebee, and since I had not read that he had his speech restored in the
script, it was a pleasant surprise.
GVK: Did you get to work with Stephen Spielberg at all?
MR: No, I would have liked to, but I think Stephen is a very smart director. When I was doing King Arthur, I saw Jerry (Bruckheimer) twice. Stephen is very wise in that he has hired a good Director and lets him do the job that he was hired to do, without interfering with his work. Michael was very good and really did very well with the film.
GVK: What were your thoughts about Bumblebee being a Camaro over a Volkswagen?
MR: Having not seen the original show when it first ran, I did not have an emotional connection to him being a Volkswagen. When I saw the Camaro shot though, I said “that isn’t Herbie that is one sexy beast”.
GVK: You also do all the voices in the video game, what was that like and did you use lines from the film or all new lines?
MR: I had a lot of fun with Iron Hide, and some of the other odd voices. We had a mix of lines as well, old and new.
GVK: Final question, have you heard anything about a sequel or been asked to be a part of future films?
MR:(Chuckles), funny you should say that so I will tell you what I can. I recently recorded more material for the DVD release of the film. It has to do with the Prequel that will set up the second film.
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Now you can download 2 great TRANSFORMERS songs from Stan Bush! “The Touch” was originally released in 1986 with the original animated The Transformers: The Movie. Stan has re-recorded it for his new CD entitled In This Life. Stan also wrote a new song about TRANSFORMERS that was the theme song for BotCon 2007 entitled “Til All Are One”, which also appears on the In This Life CD. For more information about Stan Bush or to purchase his new CD, you can go to StanBush.com. Thanks Stan!
Download "The Touch" (right click to save file) 5 mb
Download "Til All Are One" (right click to save file) 6 mb
Here are some questions and answers already supplied, with my comments in parenthesis):
Was the Brawl/Devestator mixup on purpose, or was it indeed an editing oversight?
It's an Easter Egg for movie 2. (A joke? Hint of the arrival of the Constructicons? I vote for a joke.)
How come the Allspark created TFs were all Decepticons?
Prime intended to use the Allspark to repower Cybertron as it was intended. Megatron wants to abuse it by creating Transformers directly, which makes souless, primal Transformers. (Ah, hmm ok. So I guess the answer is yes, when "unfiltered" it creats evil Transformers).
Why did you guys make Megatron stronger than Prime? Is it simply that they are are of the same power, but Megatron is simply a little BIGGER or is Megatron just better than Prime is period? Or was Prime just having a bad fight this time?
I think a little of both. I agree that Prime should've gotten in a few good hits.
What were some of your favorites scenes that did not make it in the final cut?
Sam and Mikaela breaking into their own high school after hours with the Autobots.
What happened to Barricade & why wasn't it shown?
Threads for movie 2. (Hmm too pat an answer, I am going with cut scene)
How did Bumblebee regain his voice and why wasn't it explained?
When they Autobots land and introduce themselves to Sam and Mikaela, Ratchet explains that he's been working on BB voice and actually treats him with a regenerative plasma laser. By the end of the movie, it's worked its magic, but I agree it could've been clearer. (wha? The Doctor Who screwdriver thing Ratchet was holding in the Autobots intro? That? Yeah ok).
Was Sector 7 meant to be taken lightly? They came off a little slapstickish. I'm guessing it was just John Tututro's character.
Yes. Turturro was written that way. We didn't want to lose the fun of the cartoon, and we were already playing the military totally straight so we gambled that it would give us some freedom to go a little nuts. (Speaking of, when they going to finish the S7 website story arc?)
How sure can you be that certain eastereggs like Brawl/Devastator and Barricade vanishing will be picked up by the next script writers? What if they don't get it?
So many people from movie 1 are coming back that I'm sure they'll know. (Valid point)
After seeing Weaving doing Megatron, are you 100% happy with it or do you think Welker could have done an even better job then Weaving did?
Honestly, I think either would've worked, but I was happy. (Weaving was so generic, I preferred Welker).
Same question about the face plate on Prime, I know you were in favour of keeping it on permanently.
I think we would've kept it on the whole time. (As a Transfan, keep the mask, for general audience, I see why the decision was made to do without.)
Were these lines recorded by the voice actors?
Many lines were recorded for the movie that did not make it, sadly.
Were the lines that got cut the final Transformers lines you added?
Once we had all the voice actors hired, we wrote a few new lines for each to record that weren't in the script.
A handful of lines didn't make it to the final cut for each Transformer.
In the film we see that the "All Spark, Matrix" or whatever is really called turned whatever machine it touched into a killing bot! Why is this?
It is meant to power Cybertron, not adapt human technology. Also, since all earth's tech is reverse engineered from Megatron, maybe that affects the outcome, too.
Is there any size shifting? We see the Cube transform and shrink in size -- does Frenzy do something similar when he transforms into Mikaela's phone?
We didn't want Mass shifting for the TF's -- only for the Allspark. His head seems bigger than it is because of the shape, but it folds nicely into a phone size.
When Bumblebee is holding the Allspark after getting his legs blown off, why wasnt he healed the way Frenzy was upon his contact with it?
It might've corrupted him. (More likely a mistake, after all where did the extra body mass come from is no mass shifting?)
Bay wants an Aircraft carrier Transformer, Autobot or Decepticon, and who the hell would it be?
When he told us that, we were like, "Good luck getting the money for that!" We knew it would never make it, but we did write it into one of the intermediate drafts. (Like the scale the man was thinking on.)
- EW calls it the "world's most expensive toy commercial". I am starting to resent that. Yes its based off of a toyline but I don't hear people calling Spider-Man 3 the "world's most expensive comic book commercial" or Miami vice the "world's most expensive television DVD set commercial" or any of that other nonsense. These writers need to write damn articles and quite pretending to be above it all. The wink wink, eye rolling is getting tiresome. For some reason creating a movie that sells other items is treated with more respect then the reverse.
- to give the writer credit though, he does get the TF terminology correct.
- Alot of the article recounts known history, if keep up with the blog. Ie studios rejected Tom DeSanto's pitch. Speilberg doesn't. Hires Ocri and Kurtzman to write with the "a boy and his car" theme. Snags Bay who first rejected it but after tour of Hasbro and imagining an 80mph transformation, agrees to direct.
- EW says ILM's work was $40 million. (that's it? Next time budget $100 million or more!!!)
- The GM deal saved the movie $3 million. Not mentioned in the article but GM provided 65 cars for the film.
- In regards to Jazz "Jazz is the one thing which I was like, ehhh, I wish he was a different car, personally. It's too little. But that's why I did it. It saved me money." (To be fair though, the car does fit Jazz, so good choice overall but agree about the size)
- Actors worked opposite of a tennis balls for scenes with the TF. Amusing quote from Tyrese, and a good attitude to have: "I would rather do a scene opposite a tennis ball than some of the actors I have had to work with in the past. The tennis ball is your friend. The tennis ball doesn't mean you no harm." (Personally I think actors that bitch about blue screen work are not real actors. Those moments are pure acting as its relying 100% on their own ability and imagination rather then a series of crutches. And don't get me started on those that have to "become" the character. A true actor should be able to dive in and out of character at will).
- Because of Hasbro character choices and design times where tight "''Mike, they need the molds [of the Transformers for the toys].'' [I said] ''We don't have a script yet. We're only on page 30!'' He goes, ''They need the molds in China. What kind of vehicles do you want?'' Literally, we were scrambling." (Apparently to get the toys produced and ready for an expected street date the final designs have to be ready a year in advance. So really to do proper development they probably needed a locked in design by a 3 or so months before then so could engineer the toy).
- Article has the usual actor quotes about Bay being tough.
- Also mentions the Wrap Poem that popped up on Don Murphy's site that called the film loads of crap and gave that Bay was given to much free rein. (I now suspect the poem came from DeSanto but regardless the box office numbers, the only ones that really matter, vindicate Bay.)
- In regards to a certain sequel and Bay's involvement "I've got a lot of ideas for the next one. I feel like it's my duty to do it. You don't want someone else to take your baby."
Yes, I know, lots more interesting Tf news to report about...
But we also need to report on the lighter side and the more human side of the hobby, and remember it can never be taken too seriously, or in some cases it can...
I'm sure everyone remembers Scott Nall, who in 2001, officially had his name changed to 'Optimus Prime' to honor his childhood hero. He is a member of the armed forces who served in Iraq, and is a very devoted Transformers fan. A hero very worthy of the name. (Check out an interview of Mr. Optimus Prime at Botcon here.)
Well, O ptimus Prime now has his rival, Megatron to watch out for. July 2nd, Jason Michael Burrows went in front of a judge at a Seattle courthouse and legally changed his name to reflect his childhood hero, Megatron. Jason is as of Monday, legally named Jason 'Megatron' Burrows. See the article here at gizmodo.com.
So what will we see next from the fan base of this new summer blockbuster? Only time will tell when we see a Mrs. Starscream, and a Mr. Bee... Bumblebee.
Holiday fireworks for 'Transformers'
Robots seize $27.9 million at box office
By PAMELA MCCLINTOCK
Transformers
DreamWorks and Paramount's "Transformers" made July 4 box office history with an estimated Wednesday take of $27.9 million that easily beat out the previous record of $21.9 million made by "Spider-Man 2" in 2004.
Tentpole's cume, factoring in Monday night and Tuesday, is $65.7 million heading into the holiday weekend.
Never has Independence Day been such a picnic for the film biz, with other pics also benefiting from the unprecedented holiday surge. Traditionally, Independence Day itself sees a dip in ticket sales.
Disney-Pixar's "Ratatouille" made an estimated $10.2 million, compared with $7.9 million on Tuesday, and upping the toon's total take to $72.6 million.
Twentieth Century Fox's "Live Free or Die Hard" made an estimated $6 million, compared with $4.5 million the day before. Total take is now $63.2 million.
Michael Moore's docu "Sicko" made an estimated $1.1 million Wednesday, compared with $750,000 on Tuesday when expanding onto 626 screens. Total take is around $6.9 million.
Warner Bros. laffer "License to Wed" made an estimated $2.9 million on the holiday. Pic bowed at an estimated $2.2 million when opening Tuesday. Cume is $5.1 million.
When the animation put into Jar Jar Binks has audiences yawning, and Jurassic Park's velociraptor chases are old hat, it's hard to believe that any special effects wizardry can cause a stir at the box office anymore – but "Transformers" has done it. Popular Mechanics found out how the effects gurus at Industrial Light and Magic turned over a dozen regular autos into shape-shifting robots for Michael Bay's summer blockbuster. The artists discuss how they juggled the director's demands along with those of car manufacturers and fans, and also dish on the new techniques they used to make the transformation of real-world cars into fighting robots a believable feat.
The article just went live today with exclusive behind-the-scenes
shots from Paramount Pictures. It can be found at:
http://www.popularmechanics.com/technology/industry/4218826.html?series=6
I just wanted to say I've been checking the blog several times a day for a long time. I have a subscription to Maxim Magazine but I heard about the Killer 3 contest on the blog first. Long story short I entered and won! I saw the premiere on the 27th and It was amazing. I grew up with the Transformers and continue to be a fan today. I might not be as big a fanatic as many but I never stopped following the Transformers. I went to the premiere in L.A. and met Megan Fox, Josh Duhamel, Anthony Anderson, and Peter Cullen! I got some great pictures with them and the cars and I still have a Pontiac Solstice comming! I guess after all that I'm biased but I thought the movie was perfect and a great interpretation of the Transformers in relation to the climate that the world is in today. Just wanted to share that with you guys and say thanks for keeping the blog going. Just one last question, does anyone else look at the "Wreckage" figure and think that it was probably intended to be an "earth form" Megatron and it just didn't make it? If you look at the figure and compare it to Megatron in the movie (who I thought was bad ass!) the cannon in the chest is similar and the head on wreckage is pretty megatronish. Well thanks again and keep up the good work. I'll be looking for the blog for the sequel!Congratulations on the win and for enjoying the blog. As for Megatron, in the leaked script it was never indicated he would get an earth mode. For a while there where rumors, fed by the producers, that he would get a fighter jet mode, but I don't think there where ever plans to create an earth mode for him. As for Wreckage, he was a designed character for the movie that got canned in the pre-production phase. The drone toys exist for Transformers: The Game also exist for the same reason. The design work was already done, might as well use em. Purely practical.
Transformers 07 ReviewUpdate: Adding reviews as stumble across em.
by Desmond Hew
It never struck me as anything fancy with the idea of a longtime favorite cartoon show [one of my childhood memories like so many others], being 'transformed' into a huge Hollywood film. We all saw it coming. Transformers had all the potential right from the start.
Little did I know Michael Bay and Spielberg would be involved. Bay is definitely one of the fastest rising power-directors in Hollywood history. Despite only a handful of movies to his credit, they've always taken in hundreds of millions. The one before him [who also grew to power with so few movies], was James Cameron. I knew for a fact Bay was a hardcore nut at making everything look photorealistic,
particularly from his PearlHarbor battle scenes. So I was wondering how he'd tackle both autobots and decepticons.
Now after watching Transformers and seeing how great they looked, I swear you can bet Hollywood WILL be gearing up to adapt more and more of these. I see the start of a new sub-genre coming. It happened to those sword & medieval epics, the comicbook superheroes, it'll happen to this! I do hope to see Robotech or Gundam... and Evangelion in the future. Word has it that Voltron and Thundercats are already in line.
But as far as adapting goes, let's face it, Transformers was never too thick and dense in its narrative, or at least as rigorous and all thought-out as say, the X-Files. I'm talking about the earlier seasons mind you. What stood out for the Hasbro show were its great characters and just that concept of 'transforming'... Plus, if those robots looked and sounded cool, it was enough to make us [as kids at the
time] wanna buy the toys! So for me, the 2007 movie's story wasn't one I was concerned about. I was more interested in seeing how it would differ and be condensed in terms of characters... and yeah, how realistic Bay would want his transformers to be!
Now granted, you can't have everything and I'm still baffled by people expecting the movie to simply be an exact 101% replica of the series. Trust me, you'll save yourself the pain by not expecting that. It never happens when you look back on the others that were brought to the bigscreen, whether successful or unsuccessful. Not just with Transformers, but with all franchises. Same with the X-men movies...
you can't have it all exactly the same can you? It's compromise ya see.
Anyway, Bay starts the film with a huge bang when an unidentified 'chopper' destroys a whole army base. Lemme tell you this sequence is a cause for 'WOW'... especially when ya first hear that classic transforming sound and see it blow everything up... way up!
Afterwards, the film branches off to other story threads, particularly with Sam Witwicky [Indy 4's Shia LaBeouf] which is the main focus. And rightfully so, since his is the more involving and funny one. It's mostly a teen plot, mixed with a bit of Stephen King's Christine [at least that's what I felt] and the scenes with him discovering Bumblebee are hilarious. Anyway, he and Megan Fox's story gets
intercut with the military/government trying to figure out the army base attack from the beginning with Jon Voight leading the operation.
Eventually all sub-stories converge for a massive climax in the city and Shia's early discovery of Bumblebee's true form will lead to the close encounter with Optimus Prime and the autobots. It's basically all a race to retrieve/destroy an ancient CUBE that came from their native planet of Cybertron... which holds the key to earth's survival.
Now the introduction of this 'cube' was somewhat strange to me at first because I thought our beloved robots [whether good or evil] were simply gonna deal with Energon-cubes but I guess it's an okay addition that stands out from the cartoon series.
Obviously the decepticons too are in pursuit of the cube though it's never quite clear what they do while the other stories unfold. Well except maybe for Frenzy, who seems to progress frequently in the first half. Now honestly, I don't like this little twerp. His character really dances on a fine line of being annoying, as if he's competing to be [almost] a muted Jar-Jar-Binks. On top of that, he's so
un-decepticon, the film should've ditched him since he sticks out like a sore-thumb. Clearly his addition is for the present 6 to 7 year old kids... despite the PG-13 rating. Now who is Frenzy?? Just wait till ya see one of them transforming from a PORTABLE STEREO SET. At times he reminds me of a Gremlin.
This may sound strange but I've always been a bigger fan of the Decepticons than the Autobots. Here, it seems to be the case as well. They get the more whacky vehicles with greater firepower than the autobots. Same goes for Megatron. I at first had mixed feelings about his 'new' design in this film, even though I'm not a megafan of the decepticon leader. Indeed it does deviate quite a lot from the series and I can understand the outrage for this new makeover. But after watching the film, it made far more sense for him to look the way he is. For those of you who don't already know, the transformers themselves appear in a more 'alien' form once they come to earth. They then have to immediately pick a vehicle for stealth reasons, which
results in their machine-like appearance that we're more familiar with. It's pretty much like the Terminator needing clothes when they arrive. For Megatron [and without giving too much away], he'll only appear in the last quarter, so he wastes no time for something pointless since he's after the cube, more than anything else. So
should the filmmakers give him a second appearance in the sequel, there's STILL hope for him to have a design that does him some mega-justice.
Moving onto another controversial alteration, was to have Bumblebee be a Camaro. I for one have no reservations on this matter. Other than the Herbie and copyright issues Bay had with VW, it's pretty obvious why he got switched to a Camaro. It's evident when he has to do those wild maneuvers in a chase with the decepticon, Barricade. It just looks much more satisfying rather than seeing all those turns being done by a 'cube-shape' Beetle. On the other hand, I DO have some pickiness about his communication abilities to Sam [Shia]. Him using excerpts from the radio just isn't Bumblebee at all! That's Jazz or Blaster! I know this goes against what I myself said about compromise, but stealing from other character traits isn't always a good idea and it proves to be true in this case. Also the robotic sounds Bumblebee
uses to substitute his otherwise muted state, are a little hard to swallow. He at times sounds like a howling animal especially when he's tangling with some choppers trying to apprehend him. I'm very sure some fans will have problems with this.
Primes another matter. I don't mind his flames. Is it that big a deal?? What I do NOT like with Optimus are his moving lips. They just seem limp. Other than that, it sure is great to hear Peter Cullen!! Who coulda done a better job? And as much as I would've liked to hear Frank Welker reprising Megatron's voice, I think Hugo Weaving does a nice contribution, though it sounds nothing like him since it's been
digitally modified and pitched down... but the results are still good.
Now certainly these characters would be nothing without the outstanding job of ILM and what a monumental achievement it is. If they don't deserve an Oscar, no one does! The effects are all tremendous and downright believable. ILM is truly the God [and Bomb] of VFX and always will be. Just to see the robots move and transform
is worth the price of admission alone. Think it's partly due to the fact that CG-armies and digital flesh creatures are becoming the norm. Those who had doubts whether Michael Bay can bring the transformers to life and have them rip the shit out of everything, can rest easy. Hey, it's Michael Bay afterall and if you've seen all his action, you'll know damn well what to expect. He spares nothing when it comes to it and Transformers is almost no exception. Plenty of chaos and destruction!!! And although I do have minor, minor issues, it was still superb overall! Just wait until the transformers reach the city and all hell breaks lose! One of my favorite moments is when Starscream comes after several fighter jets! From a plane, he transforms to a robot, sprays his machineguns midair to blow one up, then jumps & bounces off another jet [thus popping it with his weight], then turns back into a plane & spins round while firing again, all this in midair around the skyscrapers, through a single shot!! And the standoff between Megatron and Prime is also quite enormous. Almost none of it can be seen in the trailers, and I've watched them all unless new revealing ones surface. Even the one with Starscream and the jets can only be glimpsed at [like 1 second] through TvSpots. Like what Michael Bay said, there's a lot we won't see in the ad campaign!
And what an unusual campaign it is. I'm sure a lot of us know by now that it was all strategically done to not reveal too much of the Transformers. True it's annoying [still is as I look back] and goes against what most others would normally do which is show snippets of all the best or biggest scenes. Not so for this. As aforementioned, Prime's fight with Megatron isn't seen. It even goes so far as to not
show Prime grouping or interacting with his fellow autobots... or even letting us see the Transformers talk! As a result, it really grabbed me when the decepticon Barricade [a police cruiser], first uttered those loud words ---- "Are you username Ladiesman217?!!!!" ---- cheesy when ya read it, but truly menacing once you hear him!! Well, any gripes on their overall voices? Well as I said, Megatron sounds good but perhaps maybe Starscream is nothing like himself from the series [god bless you Chris Latta] though I can take it… since he doesn't speak much. One line I didn't particularly like from Optimus was him saying "My bad." ---- which felt out of character. Again, these were gripes to me… though may prove sacrilegious to Dot-Yer-I-Cross-YerT-fans. Fortunately he does say "Autobots, rollout!" so as a whole, it's give-and-take folks.
I mentioned earlier some minor issues with the battles but whether you'd agree with me is really subjective and may not worry others so here goes. Bay's action scenes normally go on too long and take forever to stop and admittedly at times I feel it does, especially in BadBoys2. For Transformers, it's a little ironic. Some of them DON'T go quite as long as I would've liked personally. For instance, Prime wrestling with Bonecrusher on the freeway where they both fall somewhat twenty stories down, could have been longer and exciting but it ends sooner then I thought. Even Prime's brawl with Megatron, though it has great, great moments, also seems slightly short and spare at least compared to normal Bay standards. Maybe it's because those like Bonecrusher and Blackout looked too impressive, I dunno.
This brings up a separate issue, which I think might alarm some fans. The transformers seem to 'burnout' a little too easily. Meaning they can be hurt or killed. This made me feel uncomfortable at first, but as I started to think and look back on the series, things were the opposite. Almost no one could ever, ever die, let alone be severely hurt... plus the decepticons always retreat and that's it! Here, even Bumblebee gets crippled and some decepticons 'burnout' in the climax... and maybe a little too quick and easy for my personal tastes another little gripe there folks. But if you're worried whether they had a chance to show off their stuff; weapons, transformation and all, it's there!!
So there you have it. Transformers is truly awesome and should you be a wimp and prefer to wait for it on home-video, lemme say you're committing one hell of a cardinal sin. Films like Transformers are made for the BIG screen [and sound] experience. So transform and rollout when it hits theaters!!!!!
Rating: 4 out of 5
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